Let's talk about tatts baby! Five minutes with Ta Moko apprentice Fern Ngatai.

If you know Sunset Tattoo, you know we’re a friendly and lively group of people. We’d like you to get to know our artists a little better, what drives them, what made them want to get into the industry, what they went through to get to where they are now, maybe even their favourite burger joint. So we’re starting a (hopefully) weekly blog called Let’s talk about tatts, baby! If you have any particular questions you’d like us to ask any of our artists, feel free to leave a comment below.

This week we stole Manawa Tapu’s Ta Moko apprentice and Maori visual artist extraordinaire Fern Ngatai (Ngati Porou/Tainui) away to sit down by the light box to chat about her journey so far into the Auckland tattoo scene. Fern Ngatai, Let’s talk about tatts, baby!

Forearm Ta Moko by apprentice Fern Ngatai.

Sunset: Hi Fern! Can you come and sit with me by the light box? I’m going to ask you a few questions if that’s ok with you.
Fern: um, ok?

When did you realise you wanted to start tattooing?
From a super young age! I was around 10, and I was really intrigued by Moko* (*traditional Maori tattooing). I would always draw patterns. I guess I was first exposed to Kowhaihai, Moko and Tukutuku patterns amongst the Marae, I heard a lot about Maori myths and legends, I was always intrigued by their stories and always imagined them.. like when I was taught about Maui, Rangi and Papa.. there were all these books, and they had all these Kowhaiwhai patterns! Also carvings, we used to go into the Marae when we were younger and they would show us what the carvings meant, why they were there, the positioning, there was a lot of story telling behind looking at something, instead of speaking about something. I still would rather visually see something, look at something instead of listen to a story.

Tell me about your creative background.
What? What about it? 

It’s not just tattooing! You dance, you paint, you’re bi-lingual..! Fern grew up speaking both Maori and English.
I started dancing.. since I was probably about.. honestly about five years old. Like I said I was always intrigued from a very young age by Maori myths and legends, the patterns in them. I would look at them and just draw and draw and draw and draw literally everyday. Like no shit, I had this booklet and honestly it was all I would do. I didn’t pay attention in school, maths, science, I didn’t care about anything else but drawing. When I finished high school I had this massive idea of being a dancer but if I were to ever start tattooing it would be something I would just fall into. I didn’t want to go looking for it. I didn’t approach anyone, and be like “Hi!”. I wanted that door to open for me and not for me to put pressure on it. 

How did this apprenticeship come about:
This motherfucker called Tristan Marler! I think I got tattooed by Tristan Marler just once.. maybe in his third year of tattooing. I got a small little Tāniko chest piece in between my breasts. From there I started following his work on instagram, he started following me on instagram. 

Did you slide into his DMs?
Tristan Marler slid up into my DMs! He was like “Yo yo yo Sunset Tattoo might be looking for an apprentice, did you want to come and meet me and TomTom?” and I opened up that message and was like woah what the fuck has my life turned into? It was really buzzy cause I said to Ben (Fern’s best friend) that I wanted to do an apprenticeship, but if I ever did an apprenticeship I would want it to be under Tristan or Heeds. So when Tristan approached me it was really really weird. I didn’t want to beg for an apprenticeship, I just knew if I kept working on my craft and myself.. I’m a big believer in the universe so, if I keep working on myself whatever comes will come. Obviously there is an end goal, but if things align it aligns, if they don’t they don’t. You’ve just got to be patient!

Who are your biggest influences when it comes to tattoos?
It probably would be Tristan. I guess he has kind of developed his own style, he is just too out the gate! The way that he thinks.. the way he has taken tukutuku patterns, potama and put that into Moko, I dunno you don’t really see that very much, often. Gordon Toi is obviously a big one. I first got tattooed by him at 16, it was super dope. I begged my mum to let me go get a Moko by Gordon.

To sign the consent form?
Yeah, to sign the consent form. So I did that when I was 16, and from then on I was like this is definitely something I want to get into. Working in a tattoo shop you obviously get influenced by a lot of people. You’re constantly learning different things from different people. I’m very inspired by the whole shop. Peoples different energies and different drives. Every individual here inspires me in a different way. It may not be moko, but even just the way they may communicate with their clients, to the way they present themselves on instagram, to the videos.

The way that Milky runs his machines?
Yeah, it’s like, all these little things you can’t exactly get from one person. It’s amazing get you get such a variety. I’m really lucky to be in a place I get to do that. Even though I might pain in the ass now and then to a lot of people, it’s all good.

What has been the most rewarding tattooing experience so far fo you?
For me personally the most rewarding is that I’m on a journey to give back to my people and to develop an art form that was once pushed away, to bring it back into time and allow that space to be open even more. That’s what I’m excited about. Also tattooing family members as well, I have a real soft spot for that. There’s no Moko artists in my family.

We see a lot of your family come through.
Yeah, it’s pretty crack up I’m like “I’m going to fuck up your day!!”

And the scariest?
Scary? I freak out all the time during my tatts! Scariest time.. Probably my first ever tatt, that was pretty gnarly, pretty scary.

Who was that on?
That was on Isaiah, he’s crack up as. That was very nerve wracking. I don’t really know, sometimes it’s not to bad, sometimes you just get nervous but you’ve got to get over yourself.

What do you like doing the most, what do you want to do more of tattoo wise?
Good question! I’m kinda open.. I’m open. I would like more backs, more thighs. I’m totally open!

I think that’s everything I need to ask you, thank you Fern! Donate your back to Fern!
Cool Rosie, what are you doing with this?

Calf Ta Moko by Fern Ngatai.

Fern is currently tattooing at an apprentice rate for a limited time. If you’re interested in getting a traditional Maori tattoo/Ta Moko tattoo and helping this spectacular wahine on her journey to becoming a Ta Moko master, please contact the studio for more information. Fern has also been working on flash, and will be displaying it at the shop in the coming week!

CONTACT:
www.sunsettattoo.co.nz
info@sunsettattoo.co.nz
(+649)3763423

Tom Tom's books are open!

Special announcement from Sunset Tattoo! We are now booking in consultations for the last available dates Tom Tom has for 2020 to take on new projects.

Peony by Tom Tom.

Tom is focusing on his signature style of Japanese and Irezumi inspired tattoos. Tom loves doing large scale work such as back and torso pieces, bodysuits and double sleeve and chest projects. He does incredible work with both the male and female form, as he understands no two bodies are the same. He tailors tattoos to flatter the figure, and will custom create pieces specifically with the person in mind.

Dragon and peony back piece by Tom Tom.

If you’re looking to get tattooed by Tom, whether black and grey or colour, large or small please drop us a line!

CONTACT:
www.sunsettattoo.co.nz
info@sunsettattoo.co.nz
(+649)3763423

Weekly roundup: recent completed work from Sunset Tattoo.

We’ve had a busy last few weeks at our central Auckland studio, with lots of large scale projects and brilliant one point tattoos finished up! Here is a selection of some of our favourite sleeves from the last fortnight.

Tukutuku sleeve by Manawa Tapu.

This fantastic tukutuku pattern sleeve took our artist Manawa Tapu around 3 full day sessions to complete - awesome dedication from both artist and wearer on this intricate piece! Manawa Tapu has been doing astounding work with his tukutuku patterns, and loves doing both large scale bodysuits and sleeves, as well as smaller ornamental pieces. Specialising in Ta Moko and traditional Maori tattoos, Tristan would love to help you out! Get in touch with the studio for bookings, consultations and information.

3/4 sleeve snake and kiku sleeve by Tom Tom!

From the big boss man himself, here is an awesome completed 3/4 snake and kiku sleeve! Full day sessions are hard work, but the results speak for themselves. This photo was taken directly after the last session, we can’t wait to see the healed result after a few weeks of settling in. Tom Tom specialises in large scale, Irezumi inspired Japanese tattooing. He would love to tattoo some more bodysuits! If you’re interested in getting a Japanese tattoo, please don’t hesitate to send your ideas through to the studio. One of our talented artists would love to work with you to achieve an incredible tattoo that will stand the test of time.

Full Japanese dragon sleeve by tebori artist Horimatsu Bunshin.

Phenomenal work by our tebori artist Horimatsu Bunshin! Check out that colour! Tebori is a Japanese tattooing practice where all shading is completed by hand using traditional methods using a wooden stick called “Nomi”. Tebori causes less trauma to the skin, due to this is often found to be a lot less painful. Colour continues to develop with age, and the lucky wearer of this dragon sleeve is going to come back in six months for healed photos - keep your eyes peeled! For all your traditional Japanese tattoo needs, Horimatsu Bunshin is ya boy!


Japanese Fu Dog and Peony 3/4 sleeve by Horiyama.

Our shop apprentice Horiyama has recently finished this incredible Japanese Fu Dog sleeve! We love her solid, bright and bold style! Horiyama is tattooing at an apprentice rate for a limited time, and is super keen to take on some more sleeve projects. If you’re interested in getting tattooed by Horiyama, Tom Toms apprentice, please contact the shop with your ideas. She has some beautiful concepts painted up ready for the taking, too!

If 2020 is the year for you to start that sleeve, back piece or bodysuit you’ve always dreamed about, we are here to help. With 10 fabulous resident artists and 2 incredible apprentices of varying styles, we have all your major styles covered. Check out our artist portfolio section to get an idea of what we do here, and drop us a line with your ideas!

CONTACT:

www.sunsettattoo.co.nz
info@sunsettattoo.co.nz
(+649)3763423


Return of the Mags! Magali Corpas is coming back!

We at Sunset are thrilled to announce the return of the wonderful Magali Corpas! Magali and her partner Miles welcomed their son earth side in February of this year. After being on Maternity leave since December 2019, we’re happy to say she’ll becoming back to the studio in April. The Sunset Whanau and her clients have missed her dearly!

Pattern work by Magali Corpas - left side fresh, right side healed.

Magali is an incredible tattooer, and is always up for a good challenge. Born and raised in Buenos Aires, Argentina, she both proud of and inspired by her Hispanic heritage. She loves tattooing a broad range of tribal blackwork and ornamental pattern work, beautiful flora and fauna inspired pieces, and detailed birds and animals.

Floral half sleeve by Magali Corpas.

Magali was educated as a fine artist, and understands how to work with the body beautifully. She has a hugely loyal clientele, and would love to take on more large scale ornamental work upon her return. We are expecting her books to fill up incredibly quickly, so for booking enquiries, don’t hesitate to contact the studio.

Frida Kahlo’s The Wounded Deer, tattooed by Magali Corpas.

CONTACT:
www.sunsettattoo.co.nz
info@sunsettattoo.co.nz
(+649)3763423

What is a flash tattoo?

If you’re familiar with tattoo shops, you’re probably pretty clued up on what flash is. To those who are new to the tattoo world, terminology and procedures can be a little confusing. Add to that the noise of tattoo machines, the smell of disinfectant and the often rowdy (yet charming!) vibe of tattoo shops, information can often just go way over a new clients head. In this article, we’re going to attempt to make sense of this both historic and current tattoo buzz (err, pun unintended) word by getting into a short history of one of our favourite styles of tattooing - American Traditional!

Beautiful Lady Britannia by Milky.

Although there is evidence of western sailors having tattoos for hundreds of years, often due to bringing home markings from foreign lands in Asia and the Pacific they visited while at sea as mementos, the style that we know as American Traditional is said to have started in the 19th century. A man called Martin Hildebrandt opened what is through to be the first tattoo shop in New York City in 1846, where a lot of his clientele were soldiers, from both sides of the American Civil War. Soldiers would adorn themselves with tattoos as a form of both identification (if their lives were lost during battle) and self preservation; reminders of loved ones, loyalty to their cause, and symbols of protection.

Snake Hand by Lucky Felix.

Skip forward a few decades and the first electric tattoo machine was created by a man called Sam O’Reilly which revolutionised the tattoo industry. Due to this new ease and speed provided by the tattoo machine, business steadily increased for tattooers of the late 19th century and early 20th century. To streamline business, and to combat the increasing pressure of having to come up with new designs, the concept of Flash was organically created. What started as tattooists of the time trading ideas and drawings with one another via post, soon turned into the first ever commercial Flash Sheet sold by a tattooist Lew Alberts (aka Lew the Jew) in 1905.

Traditional Lady by Capilli Tupou.

These early American Traditionalists are to thank for what often springs to mind when westerners picture tattoos - think time honoured, big, bold outlines, iconic subject matter like eagles, patriotism, girls heads and pin ups (hugely popularised by sailors), simple & classic designs in a limited colour palette which are still seen gracing the walls of tattoo shops around the world today.

Another important subject to touch upon, the illicit nature of tattooing back in the day. Artists were constantly on the move, temporarily popping up in bars, barber shops and establishments frequented by a mostly male clientele. These underground artists would display their pre drawn designs in portfolios, and on the walls of these crude, fly by night set ups in such a way that they could be “gone in a flash” if the authorities were alerted.

Fast forward to 2020, and flash is still just as prominent as it was when it first originated. It’s also no longer limited to the classic line drawings of traditional imagery of days gone by. A way for tattooists of all styles to let their creativity run wild, instead of adhering to clients requests and typical imagery, drawing flash allows them to break up the monotony of custom, large scale tattooing. Not unlike a clothing brand holds a flash sale, tattoo studios will hold flash events where artists will only tattoo their pre-drawn line drawings on a first in, first serve basis. Although this doesn’t always equal a greater income for the shop or artist, they’re super fun events which create a sense of community in the establishment, introduce new clients to the industry, and allow tattoo collectors to get tattooed by artists (often international guests) who have long waiting lists, booked out months or even years in advance.

Don’t hold back - Tom Tom switching his style up with this epic Wild Flower!

At Sunset Tattoo, we have fantastic traditional artists available. Capilli Tupou, Milky, Bernard Kwok and Lucky Felix are all heavy hitters who would love to tattoo you, your idea or theirs! This timeless style will never go out of fashion, so for a classic western traditional tattoo, pop into the studio and take a look at our flash wall, or contact us for custom requests.

CONTACT:
www.sunsettattoo.co.nz
info@sunsettattoo.co.nz
(+649)3763423